*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 71 for 521.875 cents rather than 519.55. New version: A P4 with midi pitch bend on 33,70 for 519.5556640625 cents rather than 519.55.
Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.
Author: Created by Hyacinth (talk) 03:05, 4 April 2011 (UTC) using Sibelius 5.
*Just minor sixth on C = A♭. 8:5 = 813.69 cents. Limit: 5-limit. MIDI pitch bend: 49,68
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 69 for 815.625 cents rather than 813.69. New version a m6 on 49,68 for 813.6962890625 cents rather than 813.69.
*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 69 for 315.625 cents rather than 315.64. New version a m3 on 1,69 for 315.6494140625 cents rather than 315.64.
5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.
Author: Created by Hyacinth (talk) 06:34, 25 November 2010 using Sibelius 5.
7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.
Author: Created by Hyacinth (talk) 23:38, 12 October 2010 using Sibelius 5.
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload